Violin-family plates milled from models of the great Cremonese instruments, corrected for centuries of distortion. Molds in gapless Baltic birch and matching templates.
View Gallery →Machined to exact width against a carefully drawn profile, with as much overcut or undercut as you want. A clean departure point for your own carving.
Fingerboards milled with the relief already in — sides and nut surface square, to within scraping distance of finished. Bridges cut from your material, to your profile or standarized relief.
Measured instruments and historical documentation turned into working models and cutting paths. My background is architecture and industrial design; this is where the trades meet.